julia porter, best known as miss jools, is the native londoner who cut her teeth and carved her niche in the uk capital, before making mobilee her musical home. her previous collaborative production outfit with audiofly sleeper thief brought her to wider attention in 2006 and then in 2008 she struck out on her own, undertaking solo work and discovering a penchant for slinky, late-night dancefloor sounds with releases such as >la luna< and >que me levante<, proving herself a diverse talent both in the dj booth and in the studio. after a short break, her new release on mobilee >walk away< brings her special musical flavour back to the floor. title track >walk away< it as much minimal and trippy, as it is dreamy and melodic. the same can be said for >whats going on< but this time a powerful vocal is layered over the freaky back drop. meanwhile on the b side >feel you< will keep you spinning. youll definitely find yourself dancing to one of these tracks in the early hours of the morning soon, if you are not playing them yourself…..enjoy!

welcome to electric city. am sa 13. 8. 2011 findet im anschluss an die alljährliche street parade erstmals das grösste techno-, tech-house- und minimal-festival electric city im riesigen maag-areal auf vier dancefloors und einer einladenden openair-zone statt, im herzen von zürich-west. von 21h bis 07h werden drei dutzend führende galionsfiguren der elektronischen tanzmusik für euphorische stimmung sorgen. das einstige industrie-areal einer zahnradfabrik ist der ideale schauplatz eines dance-events der extraklasse: electric city. das internationale line up gehört zum besten, was die schweiz dieses jahr zu bieten hat. mit top-acts wie adam beyer (swe), dj rush (usa), umek (slowenien), anthony rother (d), der dritte raum (d) live, felix kröcher (d), kollektiv turmstrasse (d), round table knights (ch), angy kore (i), marcel warren (ch), lars lindenberg (ch), marcos del sol u. v. a.

killer minimal / techno monster.... incl pascal feos & leicher remix

please welcome kanzler & wischnewski on karateklub! straight minimal techno at its best!

torontonian electronic quartet, azari and iii drop their second single >manic<. this perfectly sculpted piece of minimal-house-pop, taken from their highly anticipated forth-coming debut album pounds funk-induced beats and has remixes from dj sneak, tiger & woods, finger prince and christian aids. come summer this track will be filling warehouses, basements and clubs the world over

hot new 12 inch from new yorks favorite punk-funk sisters! the legendary esg return with their first new release in nearly five years with this super-limited one-off pressing on soul jazz records. featuring their trademark stripped down punk/funk style that has spawned a whole generation of fans and bands thirty years on from their first release, >moody/ufo< ep on factory records (and the infamous 99 records in america), esg return to the fold with this awesome piece of minimal dance. this will be followed by a new album >keep on moving< in the summer.

12 inch with 1 new quehenberger original (uffuff) and a trio of near remixes from his latest album hazard (released as laton 047 in 2009). patrick pulsinger tackles new beat, in his unique future funk sound. a welcome return of elin (who hasnt been on a mego record since 1995, check mego 003). he slurps out a version of hey gert, making it into an slamming slowed down twister of a track. this leaves the pumping excess of altroys (minimal sould) keep talking remix.

clr is celebrating release number 050 with another impressive remix package. it features two remixes of two different tracks from tommy four sevens recently released debut album >primate< (clrcd010). for this occasion, none other than one of the undisputed founding fathers of detroit techno and minimal techno, robert hood, and the genre-bending dub-techno pioneer sigha have come to the table and have delivered two massive remixes of those highly innovative tracks by the british born, berlin-based producer. also included in the package are >verge<, the original track remixed by sigha, as well as another original track by the name of >g<. to understand why this is a truly memorable release, one has to know that tommy four sevens approach to music is unlike a musician. .

ewan robertson aka offshore meldet sich mit seiner brandneuen ep auf big dada zurück. musikalisch überzeugt offshore auf ganzer linie, egal ob 90s electronica a la boards of canada oder subsonischem dubstep bis hin zu minimal funk, diese ep kann einiges und steigert die spannung auf sein debütalbum, welches anfang 2012 erscheinen wird!

for this release kurbits is happy to announce a new artist for the label – laurentiu suciu – aka. faster. laurentiu has been around on the romanian scene for a couple of years and has earned himself a large number of fans throughout the country. under the name faster, laurentiu has already released a couple of remixes and tracks on various digital labels such as the digital divisions of air drop records and cray1 labworks. whereas his previous releases has been more of straight up house affairs, this release sees laurentiu going for the more minimal and hypnotic shades of dance music. on the a-side we have omego, a track with instant hypnotic qualities. the rolling bass line and the atmospheric pads make the track a perfect choice for those in between moments when you are about to take your set from one direction to another. on the flip we have rost, a rhythmic skeleton based around a simple groove and a little hint of melody. the track might not have the ingredients of a chart buster, but we can assure you that it has all the ingredients of what we call a perfect tool. we sincerely hope youll have as much pleasure with these tracks as we are. well be back soon with new and exciting rhythms. happy mixing!

hailing from the second largest city in norway, terje bakke has currently been making waves withsome mystical, hypnotic and melodic deep house. this is a miracle. bergen, norway is far away from the european house scene, or actually: far away from any music scene except for pop music. however, being excluded from the usual hotspots in the europe is something mr. bakke turned to his advantage: the results are tracks that without any doubt is categorised as deep, maybe even minimal, but sounds idiosyncratic and uniquely his own.

toronto based noah pred brings back the funk with his clever brand of booty shakin swung out techno house. noahs style has gone through many stages of evolution of the years having recorded for a ton of different labels over the years from consigned, intrinsic, morris audio to his own imprint called thoughtless. this collection of tracks is by far is grooviest work to date definitely fitting bulls eye into the sound palette of cynosure recordings. lesser lights, remember the embers and all day long were all meant to fit together all having the same elements of what makes a great tech house ep. funky swinging drums, hip flexin bass and a blinding lead hook. noah achieves this with cunning style and brings the minimal funk back where it belongs …

plastic rules is a fresh label that will offer underground quality techno music in the nightclub scene, selecting the best and hot artist at the moment. plastic style will go from melodic techno to minimal house untill electro influences searching to create a unique style that will give a cool impulse to the electronic platform.felix bernhardt is an impulsive, minimal producer who creates slippery, undetermined and sizzling sounds, which have been released to date on german labels such as hardshower, kaufe musik and afulab - with credits and plays by some of the biggest name djs such as dj hell, laurent garnier, and george morel amongst others. remixes by don ruijgrok & audiomatiques!

roskas fourth release for rinse – the jackpot ep – is a 3-track 12 inch. leading with the club and radio hit jackpot, the ep snakes its way through roskas current production sound — minimal, effective and built with one purpose in mind... battering the dancefloor. containing six tracks tried and tested by roska on his busy dj schedule and firm favourites on his weekly rinse fm show, this ep is not to be missed.
support from zinc, brackles, bok bok, ma1, mary anne hobbs, untold, t.williams, toddla t, redlight, annie mac, scratcha dva, pearson sound and roska himself.

akiko kiyama finally returns to tokyos op.disc imprint after 5 years of absence. compared with her split / collabolation 12inch released in 2006, her unique style developed in such a fine style. her liquid sound and sensitive ways of putting layers are even more blushed and combined with heavy, wild bass grooves. a1 the duplicated man will fold you in her world of dark and mysterious phrases, while a2 speak bubble develops dubby, minimal soundscapes. b1 maggio is a brilliant long groovy tune - mystic whistle of a bird and emotional melodies and raw percussions evokes images of argentina tango raw percussion. enjoy mysterious sound !

we met fred ventura in 2006 over emails sent to italians do it better headquarters. he was one of the first people from europe to start writing the label prior to after darks release. it took us a few months to realize that this was fred ventura, the cult italo legend from milan. like a true gentleman, he had never bothered to mention it. since the early 1980s fred ventura has released numerous singles in europe & toured the world extensively as a solo artist. last year, johnny was in bologna on tour with desire & fred came out to the show to drink champagne & bring us some copies of the reissued tapes of fred’s early post punk group state of art. the lightbulb lit up & we asked him if he had any home recordings of his solo work. months later, he sent us 83 tracks of cassette recordings between 1982 & 1987. they had been sitting upstairs in a dusty box at his parents house in italy for the last 25 years. these tracks have only been heard by a handful of his closest friends. we were completely floored & honored! finding a beautiful treasure completely untouched & preserved is so rare. the songs are raw & honest written by a romantic with a love for an anthemic chorus & a drum machine running through his veins. think early minimal depeche mode with an italian heart. ornew order covering madonna produced moroder. yes, its that good. here we have the first official italians do it better release of these songs on a 4 song 12inch ep. this vinyl only release is a teaser for the >dont give up< 18 track lp out in a couple of months. so in the meantime, slip on those gucci loafers, rev up the alfa romeo and head down to the discotheque because life is too short

charles widmore and daniel rajkovic seem to get along pretty well, musically. their tendency to the more reduced and slightly darker side of electronic music led to a fertile cooperation that culminated in an imposing 12 inch on rrygular. the three tracks ride wonderfully unagitated and alarmingly progressive along the labels typical minimal techno road...

young talented producer steve lorenz from italy combines his techno tracks with fusion basses and deep kicks that features cool grooves of industrial sounds in constant evolution. techno, detroit, minimal, dub are delivered with a depth and resonance of sound that is absolutely unique.

massive minimal techno release !!

grab your white laboratory coat, pull out the radioshack science kit, stick on that vhs copy of dr strangelove and enjoy these two beautiful, quintessentially english minimal wave tracks from synth pop duo oppenheimer analysis. science & washington are two marvellous and catchy treats that you would only expect from the rediscovered talent of andy oppenheimer and martin lloyd. remastered and presented on glorious 10 black vinyl, 45 revolutions per minute of pure genius! a classic release!

big timeless minimal techno monster tracks ... thank you emmanuel

ultralimited !! killer minimal detroit techno ! already support from convextion & anthony shake shakir ...

psycho trill anniversary pack, limited to 100 copies! including:
aut 2011 carsten rausch: cat eyes ep
ptne 2110 bv ltd. re-press_ casey hogan: red shift re-edits
ptne 2117 ltd. ed. jonzon: reflections of my mind #2.0
sar 0005 ltd. ed. flextronic: old boy needs a dirty rave
… plus several add-ons like stickers, posters and flyers!
>whats worth the bucks<, though for its 19 years of psycho thrill anniversary the world-wide respected, cologne based, cutting-edge techno imprint strikes again with another technofied steppin quad-pack release.
this fourfold-dash specialises primarily on the long demanded 100 copy limited re-press of carsten rauschs classic techno/house hybrid >cat eyes<. an unbelievable ever-fresh workout from contemporary minimal splashes to rolling techno and acid infected beats, proving that you dont really need a worn-out 90ies tekkno or house sample in order to rock the house all the time and lift us finally up into an eerie, energetic world of wicked bass and driving beats.

the other site of daniel stefanik: dambala experience is starting with the three tracks by this leipzig-based artist. in difference to his releases on cocoon, freude am tanzen or mobilee you can listen to his freeing from minimal-four-to-the-floor-arrangements into an experimental dubby/dubstep - affair with a great influence of african sounds, made for the dancefloors too! available as limited colored 10inch ,check it out!

support by richie hawtin, m.a.n.d.y., andreas henneberg, kombinat100 and many more. featuring deep atmospheres and altogether slightly more electronic rhythms, the second part of the catchpenny & cosmos series rounds this double release off by an even greater variety of sound. just like its name implies, the dark tower hotel is a wondrous and mysterious place. upon intricate double bass chords and trippy synthesizer riffs, female singing from times long gone mixes elegantly into the hypnotic arrangement like a melodic leitmotif. in his remix, mollono.bass lives up to the last four letters of his name and delivers a rolling groove. the jaeger gains experience with acid, at least during the second part of this title which distinguishes itself by a minimal character and enigmatic wind instrument sounds. last but not least there is morgiana , a laid-back song that does not aim the dance floor. its catchy gypsy vibe, created by lots of classical instruments, reflects the remarkable compositional talent of be svendsen in a very entertaining way.

kapitel 2, and once everything is new! the collaboration of talented young producers and skilled heroes of the scene provides a colorful picture of the current sound development of the label in 2011. between tempo throttled, acid infected dancefloorkillers of l kubic and old school groove monsters of tokra thaan in a remix of james flavour up to grinding minimal beats with hypnotic-flashing sounds of trockensaft, to chameleon tracks from swen weber, which welcomes you with a dancehall impregnated beat in a 4/4 beat corset, which is ironed in the course of its construction and stay suddenly like a stomping and snorting steam train in the ear canal. and if then hardy hard mates early nineties rave influences with house vocals and flat-fuzz comes with a ghostly- kicking sampletrack around the corner which is just as hip hop as electro, it is clear, that these pieces are absolute killers of their guild, from the first to the last track, and each of them is conspicuous by its own distinctive aesthetic. originality is all

the focus energy / motive order twelve inch takes seamss lush electronica in a new direction. having captured the essence of the berlin summertime with the tourist ep, seams returns with and altogether more dancefloor orientated release. driven by a desire to make audiences at his live shows dance, a much more propulsive sound manifests itself across the two tracks, both built from the same ingredients but taking them in two very different directions. focus energys minimal percussion and vocal stabs pushes seamss sound further towards the techno production hinted at in hung markets, whereas motive order rearranges focus energys parts into a much more dense wall of sound, filled with arpeggios and noise, evoking the sound of the border community fold.

he s now back with a new 2 track ep, wait & see, that gives a sneak peak into his album that wil be released in october.on the a-side, wait & see, a secret weapon already triggered by agoria on his recent sets. the track opens with a steady but slightly dizzying rhythm pattern that eventually makes way for an androgynous chorus that build and lift your hands in the air with them. on the flipside, -love birds- a night owl, minimal and graceful and which waves its wings of synth arrangements and nocturnal chants till the first shines of the day

slamming killer tech tracks, from minimal to techhouse

following the legendary first two, stoically super minimal records >sog 1< and >sog 2< that provide ecstasy disguised as boredom on kompakt extra/speicher in 2007, and the outstanding beautifully bizarre >sog - abweichung< on profan in 2010, we are now listening to >fremde hÄnde<. like its predecessors, this sog stands in the tradition of >the art of omission< with wolfgang voigt variegating his preference for the bluntly straightforward quaver bass in two different forms. the a-side contains a tonally noncommittal sequence ambling across the keyboard in quantised form, reminiscing of the arpeggiator (accompaniment function) function of early 70ies and 80ies synthesizers. on the b-side, daring and thoroughly unquantised quaver rhythms rock around a bass drum that, as the only straight element, tries to keep the whole thing together. the result sounds a little like a delirious can live.

>detroit underground put out wildly variant musical styles on their label, from minimal to house, techno and electro - they certainly cant be genre pigeon-holed! this release comes from swedish duo kritical audio and spans through the aforementioned genres and at moments even into dubstep, breaks and d&b territory. moody, mind-tripping journeys are intricately created on katacomb through eerie synths, deep glitchy 303 basslines and arresting electro rhythms. >bugsmasher< rides electro punches and pounding 303s while the title track finds itself with a low slung, dubstep feeling. >oceans 1300< meanwhile explores yet another route with emotive synths and tight percussion, while the spaced out atmospherics of >taipei< round off an excellent 12inch

eine e-gitarre, ein bass, eine alte rhythmusmaschine, ein moog und am wichtigsten die prägnante stimme von sherry leblanc. all das zusammen kombiniert macht den minimal-pop sound von love inks aus. blackeye macht appetit auf das album.

100x ldt clear vinyl edition full of minimal dub techno

from his roots in early italo disco , a sound that inspired him since his childhood, this mysterious producer comes out with a genuine gem of pure balearic and disco mood, among the use of real hardware and various instruments creating this classic extended disco version that sounds in an actual disco edit style, even if the song is brand new. leading the voice is the huge, a magical voice and multi instrumentalist from italy: the combo between the two is explosive, mellow and at the same time light and pure. then the remix by melchior sultana, famous for his collaboration with owen jay on jus eds label (underground quality), creates a magical and elegant slow tempo version, chilled and funk at the same time, with a totaly new mood and some real rhodes and guitar played and sequenced in an akai mpc sampler. last the house electro disco dont play minimal, play minigolf, that follows a hypnotic mood bass synth, accomplished with ethereal chords and a super funky trumpet, sampled directly from will powers masterpiece of the early 80s…. ta ta taaa

slamming 3 track ep with minimal techhouse action

ltd 2011 repress , exclusive for decks.de !! vol 5 with more prime time action !! hot minimal techhouse / techno ala ideal audio !!

ultraphat minimal techno with latin elements / incl marco bailey & tom hades remix... b2 = original , reminds me to michel cleis hit... chilean / peru influenced

slamming powerful minimal techhouse / techno action

another killer, dubbin minimal detroit techno at it best !!! dj support from: james ruskin, ben sims, norman nodge, surgeon, adam beyer, adam x, deetron, samuli kemppi, cio d,or

killer french minimal techhouse / techno action

cascabel gentz is an ambitious side project of two producers who are always on the run - los angeles resident apendics.shuffle and dilo from buenos aires. since 2009 they get together in the studio and create an individual mix of house, techno and minimal spiced with their own vocals and guitar riffs. this very personal and organic mood reflects on the new record >electric high<. the original tracks are complemented by an excessive remix collection. gurtz and alejandro mosso play their part to make this ep a prime example for todays music culture network.

after his last ep on stil vor talent in 2009, born-and-bread berliner sascha braemer is now back with three fresh tracks for the spring of 2011. in the meantime, his funky minimal jump-up tech-house has led him to release on labels as prolific as kindisch or dirtybird. things kick off with >belle<, a ferocious attack on your groove muscles and dancing bones. this tune glides as softly as the wings of an angel while shaking you around like a giant would a dwarf. the up-beat groove is based on a great cut-up vocal sample and some animating synthesizer stabs. sweet! then, >felicitous<, which is considerably slower than the previous two tracks. still, the vocal on this one and the deep electronic body come together perfectly to form a deep and dirty suckerpunch to your euphoria synapses. last up is >people< keeps the effected vocal approach and that really makes this tune. imagine a super deep bassline, some wonderfully syncopated hi-hat trickles and a constant groove to underline the power of the vocal. this track is club pop - so deep and yet so magic it will run shivers down your spine on the breakdown. sascha braemer seems to have put all his experience of peak-time club moments to early morning afterhour visions into his own transcript of signature sound. this is not be mistaken, this is simply on-point

incl live act & ostwind sticker! sandru is the name of the young argentinean, who made his debut on fievuntwintig and entered the playlists of catz & dogz, kiki, stephan bodzin or cumiks with his track >late night stories<. now it is about time for him to show how electronic awareness of life feels in south america with his >argentina ep< on ow036. he shifts sound aesthetics as well as emotions and his tunes move directly and incredibly intuitive into the listeners ears. dj-optimized arrangements, detroit techno harmonies and terrifically minimal techno grooves & rhythms make for sandrus >argentinia ep< to be one of ostwinds most true releases.

fvf records are very excited to present their second limited press, vinyl-only release. this time we present the production talents of lars heinrichs and sascha braemer aka heinrichs & hirtenfellner (for their first vinyl release in over a year) and the talented dirty doering (bar 25, stil vor talent) on remix duties. with previous excellent releases on thier own imprint supdup, highgrade and lørdag, heinrichs & hirtenfellners music combines dry and carefully structured minimal funk with infinite influences that take them well beyond the pigeon-hole. with buzzing house grooves, dubby basslines, and cruising jazz samples or swirling oriental sounds german music critics have credited them with a fresh sound, which combines the new chicago with minimal abstraction. the ohohoh ep features two original tracks by heinrichs & hirtenfellner and a remix courtesy of dirty doering of bar 25 fame.

killer hypnotic minimal tech house

jin choi is a musician, producer, dj and live artist based in berlin, germany. equally focused on groove and melodic structures, his music fuses electronic and naturalistic sounds to move the head and body. once coined modern minimal, chois productions are equal parts emotion, melody and rhythm. full range is his first release on serialism records. in a recent interview, choi described himself as a burial loving music-nerd who is simply trying to create his own musical language. he has released on lessizmore, contexterrior, romanphoto & archipel, to name a few. for ser10, he joins forces with maceo plex (aka maetrik, the moniker he saves for his darker techno productions) to do just that. most known for his recent revered deep-house single, vibe your love on crosstown, plex makes the release the perfect late-night tool. first up is full range, a dubby tech-house number with ominous and increasingly glitchy repetitive vocals that remind the listener of what choi seems to already know - music is the universal language, music is no longer irrelevant. next, half baked, the eps star, manages to perfectly fuse industrial sounds with melody making a blissed-out, deep- house track. mysterious squeaks, hisses and factorial inner workings provide the backdrop while warm time-stretched freestyle vocals guide us through the production. maceos deep remix is around 9-minutes of chicago house inspired sounds layered with snappy high hats and emotive chords.

a long time ago in a galaxy far, far away .... subsistenz. episode 10: it is a period of civil war. current value drone spaceships, striking from a hidden base, have won their first victory against the evil minimal empire. during the battle, rebel spies managed to steal secret plans to the empires ultimate weapon, the gay star, an armoured space station with enough media power to destroy an entire planet. pursued by the empires sinister agents, dean rodell races aboard the starship subdivision, in search of the stolen plans that can save all subheads and restore freedom to the galaxies.

the ep opens with >hypnotic bass<, a track with a very groovy gnaoua rythm. the sound of the guembri gives the production a very warm sensation. next up is >deep medina<, the title track. a real journey, the vocals are strong while sidi mohammeds lute elicits shivers. the melody manages to sound traditional while modern at the same time. >for hou!!!<, the closing track, philip bader perfectly works the acoustic samples, resulting in a characteristically berlin minimal sound. the kick and the bass are very heavy.

true to form, souvenir are back with a snappy summertime release perfectly hinged & ready for sweeping the dancefloors. souvenir 036 various artists features lewis boardman & maher daniel blending their sounds, and converging on this ep for some magnificent effects. the a side starts out with daniel - he is a new, but solid name amongst the techno-gambit, having released on labels such as get physical & bedrock, as well as on souvenir. while his remix workings of >rumblefish< earned him a 2 1/2 month long-spot as number one on the techno charts. with >here and now< with dark, driving techno that sounds like its been made inside of a blazing house-fire. burning & singed, the the layers fall heavy upon one another - with a penetrating dancefloor deep-ness to the bass. next up, >icaros< on the inside a track…spins a dark & deep nighttime soundscape, deep into the depths of a jungle somewhere. a distant & hollow vocal of a tribesman hums hauntingly in the distance, with a severe & driving bassline to make you run like a scared little raver deep into the jungle. on the b side, boardman takes over, one of the uks newest talents - recently remixing for nina kraviz & yousef - with >tranquilizer,< on b2 is quite a minimal retreat…with some intergalactic space-fight sounds thrown into the mix, alongside the rolling bass, and chug-chugging. b2 enters the title track, >the broken is beautiful.< a nice, chugging bass-line meets a ethereal chopped up vocal, carefully flowing in & out of the bass-line….to meet up strong midway thru the breakdown